Alberto Malanchino | SID - Fin qui tutto bene

Sid is the future. Handsome, charming, intelligent, European by
birth, and Algerian by heritage, he belongs neither to the West nor
to the Maghreb. He is the future. A future without identity.
A present without a future. The world is his stage, life is his movie.
His white designer outfits glow. Sid packs discarded lives, wrap-
ping them in designer envelopes. The serial killer of the future.
The Star.

He killed. Probably out of boredom. Definitely for a higher purpose. He kills by suffocating his victims in fashionable plastic bags. His story, is a film 'without editing', a torrential monologue that is a Hip Hop concert played live: splinters of life, of bullying, of consumption, of bored kids, of 'fuck you', of reeds, drugs, desolation, of wandering in the 'temples of consumption'.

The performance is followed by a talk with Livio Beshir and Alberto Malanchino.
[language: Italian]

CREDITS
With: Alberto Boubakar Malanchino
Live Music and Sound Design: Ivan Bert and Max Magaldi
Direction and Dramaturgy: Girolamo Lucania
Set Design: Ivan Bert
Technical Direction: Alessandro Vendrame
Video: Niccolò Borgia
From an idea by Ivan Bert and Girolamo Lucania
Production: CUBO TEATRO

Alberto Boubakar Malanchino

is a television and stage actor who has starred in several Italian series including Doc – nelle tue mani (2020 - present), Summertime (2020-2022). He is the protagonist of the monologue Verso Sankara (2018). In March of 2022, Alberto was cast in The boys in the band, a 1968 play by American playwright Mart Crowley, whose Italian adaptation was directed by Costantino della Gherardesca.

Livio Beshir

is an actor and the official host for Rai Film, presenting specials and red carpets at the Venice Film Festival, the Rome Film Festival, and Cannes. He has starred in several films, including Stefano Sollima's award-winning ACAB - All Cops Are Bastards (2012) and Ridley Scott's House of Gucci (2021). In March 2023, he debuted the play Siamo quelli giusti (We are the right ones), centred on the sensitive topic of international adoptions and with a cast composed entirely of Afro-descendant actors.