Candice Breitz (b. 1972 in Johannesburg) is an artist whose moving-image installations have been shown internationally. Throughout Breitz’s career, she has explored the dynamics through which individuals become themselves in relation to a larger community, be that the immediate community that one encounters in family, or the real and imagined communities that are shaped not only by questions of national belonging, race, gender, and religion, but also by the increasingly undeniable influence of mainstream media such as television, cinema and other popular culture. Most recently, Breitz’s work has focused on the conditions under which empathy is produced, reflecting on a media-saturated global culture in which strong identification with fictional characters and celebrity figures runs parallel to widespread indifference to the plight of those facing real world adversity. In 2022, she completed The White Noise Trilogy, a trio of multichannel video installations that includes Love Story (2016), TLDR (2017), and Whiteface (2022). Breitz holds degrees from the University of the Witwatersrand (Johannesburg), the University of Chicago and Columbia University (NYC). She has participated in the Whitney Museum’s Independent Studio Program and led the Palais de Tokyo’s ‘Le Pavillon’ residency as a visiting artist during the years 2005-2006. She has been a professor at the Hochschule für Bildende Künste in Braunschweig (Braunschweig University of Art) since 2007. Breitz lives and works in Berlin.